Dating a princeton reverb


  1. Dating a Silverface Princeton Reverb
  2. How to date vintage fender amps
  3. May the tone be with you
  4. Dating a Silverface Princeton Reverb
  5. Fender '65 Princeton Reverb Reissue review

If four digits are present, the first two digits refer to the year i. The last two digits would refer to the week of the year i. An example would be: EIA would mean the 21st week of All Fender amplifiers, manufactured after include a date code on the amplifier. This code is located on the "QA" Quality Assurance sticker, which may be found on the back of the amp chassis.

The sticker is a Black and Silver label, which contains several lines for "sign-offs" at the completion of sound and electrical tests, where applicable. The last line will have 2 letters of the alphabet either printed or written by hand. Good luck reading some of the hand written ones. These letters are the production date code for the amplifier.

The seller wasn't very sophisticated about dating the amp- he relied mainly on the Fender logo on the grill cloth, and he wasn't knowledgeable about things like tranny codes or speaker codes or Tube Chart codes. I can't find a serial number stamped onto the chassis, but there is a number etched into the chassis- it's either , or B If I can figure out how to post pics I'll do so. This is a nice addition to my amp collection.

Dating a Silverface Princeton Reverb

Photos how to post ; viewtopic. Yes I honestly doubt that the amp has been modified. Silverface amp with Blackface grill: Thanks to all for your help. Tue Jan 27, 5: Easy ; choose one photo, clic on IMG , copy on Fender forum answer window.

How to date vintage fender amps

Tue Jan 27, 7: The tube chart indicates a build date of April and I believe it to be correct. The lack of polished beauty washers beneath the input jacks tells me that a previous owner swapped out the original blackface front panel for that of a silverface model. A great sounding amp that breaks down goes from being a favorite piece of gear to a useless piece of crap in less time than it takes to read this sentence.

Tue Jan 27, 8: The vertical divide lines on the faceplate make it the faceplate a '67 to early '69 when these lines were dropped. This leads to further speculation that perhaps just the faceplate was replaced and it was originally a Blackface Amp. And that Tube Chart looks suspicious, there is virtually no sign that it was ever subjected to the heat environment of a working amp.

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Every Tube Chart I've seen is yellowed and brittle from the heat. That speaker is an original, Fender installed, Jensen. Apparently not all PRs of the era were Oxford equipped from the factory.

May the tone be with you

The model code not Mfgr. I did read somewhere though only 1 source that this may have been something you could special-order through the Dealer. There are too many inconsistencies to accept that this is an unmodified amp. I believe that either the Faceplate was replaced or the grillcloth was.

Dating a Silverface Princeton Reverb

Neither of these would have been sacrilege back in the day. Again, just an oddity, not a rarity. But certainly not a one-owner untouched amp. As I said, just enjoy it. Vibrato in musical terms means modulation of pitch, whereas the Princeton's circuit modulates volume.

Fender '65 Princeton Reverb Reissue review

It's actually tremolo, but Vibrato is what Fender has always called it so who are we to disagree? Overall, the Princeton Reverb's tone is pure retro Americana. Beyond any doubt, the original Princeton Reverb was a classic and it's hardly surprising that even an indifferent original will now set you back well over a thousand pounds.

This reissue compares well, although we'd have to say that given the amp's historic status we're surprised not to see it alongside the '57 tweed Deluxe in the Custom Series, albeit glad that it exists in the more competitively priced Vintage Reissue section of Fender's catalogue. It's hard to find genuine competition for amps like this - if you want you can spend two or three times as much on equivalents from the boutique builders, or take a risk on the second-hand market.

For the same money there are amps that come close to the Princeton's soulful tone and spacey reverb, but very few have the extra ingredient of Vibrato. So we reckon the Princeton is good value for money if you're after a vintage amp with modern reliability, as long as you can live without the bells and whistles of a flashy modern design. Grab yourself a very toneful piece of history. Our Verdict A great retro combo at a reasonable price. Pros Great tone, great looks and the Fender badge. Cons The reverb could do with being a touch warmer.

Image 1 of 2 Six classic skirted control knobs adorn the iconic black panel.