- Wedgwood jasperware dating
- Minton & Co.
- Real Wedgwood and Marks - ArtiFact :: Free Encyclopedia of Everything Art, Antiques & Collectibles
Thank you for your comment and sorry we could not help on this occasion. I have a Wedgewood majolica plate with blueberries and strawberries and green leaves on a pale yellow background. Your email address will not be published. Sign me up for the newsletter! Marked majolica is generally indicative of quality.
Wedgwood jasperware dating
Note the impressed marks almost obscured by glaze. Three letter date code. Last letter indicates This has no marks whatsoever to the underside. The 2 probably indicates the jug is the second item of a set.
Can you help me find out information on my set of dishes. Leave a Reply Cancel reply Your email address will not be published. Pictures are plate one and pictures 7 - 9 is plate 2. Please contact me for any more info or photos. Beautiful bright green colour.
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Glaze is in terrific condition for the age with just a little bit of crazing on the underside. There is a tiny spec on the top which is under the glaze, so an original production issue. Just two very small chips. A small 'nibble on the edge near the handle and a bit of glaze missing from the rim of the base.
Apart from that it is lovely. Please see pictures for details and message me if you would like more information. Postage is to UK only. Please message me for a quote for anywhere else. Flowers, Strawberries and Grapes with a Majolica Glaze. An old ale jug, in the style of "Wedgwood Cambridge Ale Jugs".
Real Wedgwood and Marks - ArtiFact :: Free Encyclopedia of Everything Art, Antiques & Collectibles
Date of jug unknown. Only mark found on bottom, a number "5". There is a floral band near the rim. Good used condition, there may be surface marks consistent with age and use. There is also an impressed 8 and underneath 15 and a painted No.
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Partially glazed in a rich cobalt blue with three gold bands. Also inscribed on the base with m in gold script which is the catalogue shape number Majolica Wedgwood antique very large serving platter in aFamille.
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I think the incised back stamp makes this platter. Rose design which is in great condition given the age. I do recycle when I can so usually overheads are minimal. The artists used for jasperware cannot always be identified, as they are not named on pieces they designed. William Hackwood was his chief in-house modeller, who was sometimes allowed to initial pieces. Jasperware is particularly associated with the neoclassical sculptor and designer John Flaxman Jr who began to supply Wedgwood with designs from Flaxman mostly worked in wax when designing for Wedgwood.
Sir William Hamilton 's collection of ancient Greek vases was an important influence on Flaxman's work. These vases were first known in England from D'Hancarville 's engravings, published from Inspiration for Flaxman and Wedgwood came not only from ancient ceramics, but also from cameo glass , particularly the Portland Vase which was brought to England by Sir William Hamilton by The vase was lent to Wedgwood by the third Duke of Portland from Wedgwood devoted four years of painstaking trials at duplicating the vase in black and white jasperware, which was finally completely in , the figures perhaps modelled by William Hackwood.
The replica was exhibited in London in that year, with the initial showing restricted to 1, tickets, which soon sold out. Wedgwood's careful copies proved extremely useful when the vase was smashed in the British Museum in , and then reconstructed by the restorer John Doubleday. The original edition was of 50 copies; in a further edition was cast in one piece, with the background then painted. Horse Frightened by a Lion , plaque, 10 x 16 inches, , after George Stubbs. Quiver vase, modelling attributed to William Hackwood , , solid pale blue jasper, dark blue dip.
The Walters Art Museum.
Wedgwood jasperware can often be dated by the style of potter's marks, although there are exceptions to the rules:. Jasperware was widely copied in England and elsewhere from its introduction, especially by other makers of Staffordshire pottery. The name Phanolith was coined for this kind of jasperware. His work is praised for the translucency of the white porcelain on a colored background. Stahl's work is known for its refined modelling and the vibrancy of its figures. A stand at the World's Fair in Paris was the first major public presentation of his work and gained him a gold medal.
Attendee at a symposium , in biscuit porcelain partly in Wedgwood blue, Real Fabrica del Buen Retiro ,