Dating nippon backstamps


  1. Nippon Backstamps and Known Dates of Manufacture | Myriad Trading Co's Blog
  2. Japanese Porcelain Marks
  3. Blogging about our lives as Trading Assistants on eBay
  4. How to Date Nippon Marks

Fake Nippon have a bright white, glossy background and a heavy, chunky feel. Check the quality of the painting; the pattern should have meticulous attention to detail, and brushstrokes should be uniform — reproductions usually have sloppy, uneven painting. Fakes also sometimes have a paper "Made in China" label, which unscrupulous dealers often remove.

Van Patten, offer a wealth of information, photos and detailed descriptions of markings. Online resources also contain valuable reference materials. In addition, many antique dealers and museum curators now specialize in Nippon-marked china, and they can provide help in dating vintage Nippon pieces. If it's necessary to clean the piece in order to see the mark more clearly, a mild soap and water solution is most advisable and should get rid of any surface grime without damaging the surface.

Nippon Backstamps and Known Dates of Manufacture | Myriad Trading Co's Blog

Kato Zo meaning, "painted by Ka To". Japanese porcelain, probably Kutani. Taisho period, Mid to late 's. Bizan , Taisho period Possibly early Showa or late Taisho period i. Kutani , Japanese porcelain, Kutani porcelain. From a teaset with three different marks. From a tea set with three different marks.

Kutani Sei , Japanese geisha ware porcelain with "River's Edge" type pattern. Mark and style of piece dates it to the end of Meiji period , from around Click here to see large picture. Japanese reading should be read top to bottom, then right to left, thus inscription reads Kaga Kutani.

Yamashita tsukuri , meaning "Hill Foot Made", but a last name.

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Mark and style of piece dates it to the Meiji period , before Eiraku , for the Kutani kiln, would in Chinese be translated as Yongle. Impressed kutani , sticker "Kutani, made in Japan". Tentative date s or later. Unknown maker, Showa period. Probably Meiji period or slightly later. This company lasted for 3 generations and used different kanji characters for the no in Watano depending on the generation.

Watano was very famous during Meiji period with export offices in the port towns of Kobe and Yokohama. Mark Kutani Watano Sei. The character no used here is the most recent used by the Watano Trading company. Kutani tsukuru , "Kutani made". Kyoku zan can literally be translated to Morning Sun Mountain. This mark occurs on both white porcelain as well as typical Satsuma earthenware why, while possibly a potter, this is probably a shop or a company name related to the decorator or more likely the exporter or importer.

Characters inside the frame reads Kyokuzan meaning 'morning sun mountain'. Porcelain most likely made in 'Kutani' while the decoration could be added elsewhere. Seal reads Eihou above and Kanehira below. Dates to the mid s. Kyokuzan , Japanese porcelain, mark known on Kutani porcelain. Thanks to 'Eileen' date identified as c. These Lithophanes occurs almost exclusively on the bottoms of tea cups.

Many thus dates to the Occupied Japan period and could have been made for the GI trade, why the US Customs "country of origin" rules would not apply. Many of this style were made in Nagoya area factories. Cups with a lithophane of a Geisha Girl. Probably a "Flower Geisha".

Left looking Geisha girl in the cups. Probably s' Click here to see large picture. Kutani, Geisha Girl, "Dragonware" mid 20th century. Kutani porcelain with a "Geisha Girl" lithophane in the base. The "M in a wreath" mark seems to indicate Noritake Company but I find this unlikely. It is probably just made to be similar. To further our understanding of 20th century porcelain marks our friend Elyce Litts recently sent me some notes from a small booklet entitled "Some Suggestions for Souvenir Seekers" produced by the Japanese Government Railway.

The booklet seems to date to the mid-late s. In addition to descriptions and photo examples of numerous types of pottery and porcelain, including where they were made, it features a list of Souvenir Dealers. The names are given in English without the Japanese equivalency since the book was aimed at English-speaking tourists, but I'll list them below anyway. They describe the various pottery of Japan as follows:. Satsuma porcelains - mainly produced in and around the city of Kagoshima in Kyushu. Wares of this type are finished in ivory lustre with fine crackles. They have a picture of a number of artisans sitting at the traditional low Japanese tables hand painting vases.

Arita porcelains - produced in the Saga prefecture of Kyushu. Kutani porcelains - produced in the prefecture of Ishikawa in the Hokuiku district of Honshu , the Japanese main island. On the whole Kutani porcelains are characterized by their elaborate picture decorations in thick gold, red, blue and some other colors. Kyoto wares Rakuyaki of Kyoto, closely connected with tea ceremonies since olden days. Awata ware porcelains and Kiyomizu wares are among the souvenirs of Kyoto. Owari produces so many varieties of porcelain and stoneware that the Japanese familiarly speak of porcelain and pottery in general as "setomono" after the village of the same name in this province.

Bizen ware Okayama Prefecture characterized by their peculiarly humorous figures of gods, birds and beasts. Awaji wares Awaji island monochromatic with a bright yellow or green glaze.

Fukagawa Porcelain Manufacturing Co. Takahashi ; Kaneko; S. Marumono; Takashimaya; Daimaru Porcelains: Kinkozan, Hiraoka, Kyoto Porcelains. Shibata ; Harishin; K. The booklet gives the street addresses of all shops as well. Hopefully this contribution by Elyce Litts will greatly help our understanding of 20th century Japanese porcelain marks. The method used for suggesting dates on the following marks is the empirical and that of the arts historian.

When possible I have compared the marks with documents, files and archaeological data and these references have been added here when possible. Unfortunately I have no further information on these marks than what is published here. For further discussions on antique Chinese and Japanese Ceramic Art you are seriously recommended to sign up with the Gotheborg Discussion Board.

If you would like my personal help or opinion on something there is a possibility to email me a question and help support the site at the same time. Click here to ask a question. Vantine sometimes Van Tine started a provision and supply business in San Francisco.

He continued in California until , when he came to New-York and established himself in the Oriental goods business, opening his first shop for oriental wares in New York in on Broadway, near Eighth-street. A few years later he moved to Broadway, and from there, in , to Broadway. Vantine traveled a great deal, particularly to China and Japan, crossing the Pacific sixteen times and made six visits to Turkey and Southern Russia.

The company seems to have began their business in Yokohama, Japan, already in for the purpose of manufacturing wares for export to the West. They even started a mail order business and came to have their own factories in Yokohama and Nagoya, Japan. A catalogue from is preserved at the University of Delaware Library. The text states that the book "enables you to rest comfortably at home in your easy chair, and, at your leisure, select by mail, with absolute confidence, from the largest collection of Oriental goods in America.

The business seems to have shut down around Mail order catalogue Vantine's, the Oriental Store. Click here to see large picture. The Gold Imari logo is a trademark of the Yazaemon family kiln founded in After many ups and downs including fires, bankruptcy, and name changes, it became the Arita Busson Co. The trademark was created in this era. The applicant was Arita Bussan Co.

In they became the Arita Seiyou Co. The US patent Office mark registration was abandoned October 29, , however they are still using the trademark. Date ss Click here to see large picture. See also special page on: Mark datable to the "Nippon" period , probably Click here to see large picture Pictures curtesy of Prof. Click here to see large picture, mark Okura Art China was established in in the suburb of Kamata in Tokyo by Magobei Okura and his son Kazuchika who were both amongst the 6 founders of the Noritake company in Okura pieces were made by hand and were of choice material, targeting the top segment of the market.

Japanese Porcelain Marks

Marks include "OAC Noritake" and a 5 lobed trademark. Okura porcelain is still made today under the name of Okura China Ltd , with its headquarter in Totsuka, Yokohama. The numbers 6 3 Rokuzan under a Japanese gate of honor. A formal gateway or arch such as the one pictured is called a "torii" in Japanese. Japanese porcelain, maybe 'Seto' area. This page originally came to be thanks to a donation of Japanese marks images from Karl-Hans Schneider , Euskirchen, Germany, in may that gave me a modest but nonetheless beginning.

It was a kind gesture and I really appreciated that. Of the many later contributors I would especially want to mention Albert Becker , Somerset, UK, who were the first to help with some translations and comments on the Japanese marks. His work was than greatly extended by Ms. Garaventa after which Mr. John Avery looked into and corrected some of the dates. Most of the Satsuma marks were originally submitted by Ms. Michaela Russell , Brisbane, Australia.

A warm thank you also goes to John R. Skeens , Florida, U.

Japan: Noritake Collection 2015

The most recent larger contribution was made by Lisa M. In and from then on my warm thank you goes to John Wocher and Howard Reed whose knowledge and interest has sparked a new life into this section and given reason for a new overhaul.

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Thank you again and thank you to all I have not mentioned here, for all help and interest in and contributions to our knowledge of the 20th century Japanese porcelain. All material submitted by visitors and published anywhere on this site are and remain the copyrighted property of the submitter and appears here by permission of the owner. All expressed opinions are my personal, based on photos and the owners submitted descriptions. They are not to be used for any financial or commercial decisions but for educational and personal interest only and can and will be changed here as further information merits.

Web design and content of all pages as they appear on gotheborg. Around the s Ashley A. Crossed Imperial Chinese and Japanese flags with the Turkish crescent moon and star in-between, referring to Mr AA Vantines business relations with these three countries. From the look of the porcelain designs I would suggested the s for this piece. Aerozon is a trade mark made up from 'air' and 'ozone'. I occurs on German smoking accessories, air cleaners as in perfume burners, night lamps etc. From the company is used by Hermann Feese , and later his son Artur Freese until today. The company's name today is Feese Dekorative Leuchten.

A catalog from occurs with 'Aerozone' products from Metallwarenfabrik Hermann Feese also in Berlin.

All according to a German collector's web page. Information updated by, Simone Loebsin, Porcelain was produced in Arita for the first time in under the control by the feudal lord of Nabeshima, or the present Saga Prefecture. Arita ware is also called Imari ware because the products of the Arita kiln were mainly shipped from a nearby port of Imari.

In the s, a new style called aka-e " was invented, characterized by bright colors and bold patterns principally in red. The products of the 17th and 18th centuries are typically called "Ko-imari" old Imari and "Ko-sometsuke" old blue-and-white. A kanji Chinese character fuku means happiness. Jar, blue and white decoration. Arita Click here to see large picture.

Japanese porcelain, probably Arita. Arita Yamaki zo Click here to see large picture. Seal reading Arita-yaki - , the left being a single character, early to mid 20th century. Aoki , Porcelain made in Arita. Aoki , Arita porcelain made by Aoki Brothers Company. Diameter 12", height 5". Arita porcelain made by Aoki Brothers Company. Plate with one firing support mark.

Plate with underglaze blue decoration in Chinese 'Kangxi' style. Porcelain with marks imitating Chinese marks of the Ming period were made at the Arita kiln during the 19th century and possible earlier. Porcelain with marks imitating Chinese marks of the Ming period were made at the Arita kiln during the 19th century and possible both earlier and later. Arita porcelain dish with Japanese 'Imari' decoration. Japanese, Taisho period Common mark on Arita "Imari" porcelain, a mixed-up and carelessly written Chenghua mark; the extra dot in the fist Da character changes the meaning from Da great to Dai greatest.

Decorative mark from late 20th century. Alternative translations add that fuki huki also means peonies and is a symbol of wealth and choshun means roses, a symbol of everlasting spring as in, forever young. This mark was mainly used during the Meiji Period, from During this period, Japan moved from being an isolated society to one with more open trade, where this one of the earliest trade marks not imitating a Chinese Imperial Nian Hao reign mark. Arita porcelain food rice bowl with Japanese 'Imari' decoration.

How to Date Nippon Marks

Japanese porcelain with Nabeshima looking enamel decoration. Japanese porcelain with Japanese 'Imari' decoration. Meiji period, around Usually Meiji period In the Meiji period this brand name was used by several Arita porcelain makers such as Fukagawa porcelain as well as other products of the Mikawachi kilns that were exported as Hirado wares. The distinction between Fukagawa and Hirado tends to blur after the beginning of the Meiji era when greater attention is started to focus on exports.

Hichozan Shinpo-sei brand was made in the short period of time at the end of Edo period , in Mikawachi kilns and hand painted in Arita commissioned by the merchant, Tashiro Monzaemon Monzaemon expanded the market for Japanese Imari products at that time when Tokugawa opened other ports for export in Japan other than Nagasaki. A trade mark used by Tashiro Monzaemon until c.

A trade mark used by Tashiro Monzaemon? Mark in underglaze blu: This kanji character, ken in Japanese is from the kanji characters of kenryu-nen-sei which stands for the Chinese Qianlong period Japanese porcelain with 'Imari' decoration. Late Edo period Early company name or trademark, in use between to The owner was Hisatomi Yojibei Masatsune who as one of the first potters in the area of Arita and Mikawachi was granted an export permit by the Lord of the Arita Han Lord Nabeshima Naomasa in This was also the first time it was allowed to put a signature on pieces exported from Arita, other than Fuku Happiness or various copies of Chinese reign marks.

His business was succeeded by Masatsune's oldest son, Masayasu and his younger brother, Yohei Masaoki until Yohei's sudden death in the sea. In , Masayasu's nephew, Hisatomi Kikuro restored his family business with a modern factory method, but only lasted for 15 years, until Good quality, mid 19th century, Japanese export ware with Imari style decoration.

Tea cup and dish with underglaze blue and white decoration in imitation of Chinese Kangxi period porcelain. Good quality, mid 19th century, Japanese export ware. Both marks have been used on Japanese pieces. The name Ardalt occurs also on pieces from other countries. Probably mid 20th century. The company specializes in Porcelain gifts and decorative accessories. First registered trade mark is the Crown and A's mark registered April 30, A mark looking like a bee hive, was first used the last of December Both were canceled in Canceled February 17, Several similar 'Royal' marks with a crown and a brand mark exists, all from the second half of the 20th century.

Might be the mark of a shop or trading company that commissioned pieces for sale, and got pieces from various kilns marked like this. The mark occurs on several pieces of which some are almost identical to Kutani. Recent information has it that Bibi is the name of a family import firm that imported porcelain from Japan to Lebanon during the s and 60s. This porcelain had a Bibi mark on it and was sold in Beirut. The family might also have had a porcelain import business in Palestine in the s and 40s before they were forced to flee in Mark "Made in Japan" over two characters "Bibi".

Second half of 20th cent. Satsuma looking crackled glaze. I have here collected a number of these and similar marks with the likelihood of a relation to the Noritake sales organization, the US market and a possibly date to the mid s. Cherry Blossom and within Japanese characters beginning with "Naka" and second character is "Cho" or "To".

It was produced for export, not in Japanese taste and is of lesser quality. Tentative dated first decades of the 20th century. Cherry Blossom in the shape of five "M". The use of the word "Shoten" indicates the name for a shop which is selling products from its own kiln. In either case they seems to have went out of business in This mark likely to be from the s. Literally hundreds of companies produced dinnerware with European or Western style designs. It is not a Noritake mark, but is similar in design to those made during that period. Many of these companies were in business for very short periods of time.

Style suggests a post WWII date, possible s. Chikaramachi, Made In Japan. In use on porcelain made at the Noritake factory, Chikaramachi branch, during Mark occurs in black and red. Same factory also used a mark with a crown inside a wreath. Lusterware or lustre ware type porcelain. Mid 20th century Click here to see large picture. Dai Ichi Toki written in seal form.